Transmissions

Fiction, Memoir, Sound Art Lucia Scazzocchio Fiction, Memoir, Sound Art Lucia Scazzocchio

Shatto 39

Jenn Swann (US, 2026)

Jenn Swann (US, 2026)

Shatto 39
Jenn Swann

5 min

This piece was originally made for a sound event that asked producers to envision what it might feel like to lose our favorite places in Los Angeles. It's a work of speculative fiction about a real place, and it's inspired by recent infrastructure failures and climate-based disasters in Los Angeles.

Written and Produced by Jenn Swann


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Documentary, Music, Interview Lucia Scazzocchio Documentary, Music, Interview Lucia Scazzocchio

The Film That Never Got Made

Iacopo Di Girolamo (UK, 2026)

Iacopo Di Girolamo (UK, 2026)

30 min

What does it take to prevent a rock ‘n’ roll star from fading into oblivion?

Join Iacopo on a personal journey to make a film about rock 'n' roll legend Del Shannon, a film that, for years, Iacopo couldn’t quite figure out how to tell. Over 25 years of searching, he never wrote the script, but he did find something else: the people who keep Del’s memory alive. A passionate biographer, a small-town museum curator in Michigan, a devoted fan from England, and a young hip-hop artist with a spiritual connection to Del. Has he finally found the story he was meant to tell?


Produced by:‍ ‍Produced and narrated by Iacopo Di Girolamo
Music extracts by Del Shannon


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Composition, Sound Art, Memoir Lucia Scazzocchio Composition, Sound Art, Memoir Lucia Scazzocchio

Momster

Suvi Tuuli Kataja (FI 2026)

Suvi Tuuli Kataja (FI, 2026)

Momster
Tuuli Kataja

4 min

Momster is an audio poem about how everyday life changes when exhaustion awakens the monstrous porridge brain of motherhood. Using documentary voice messages as its source material, the piece explores the boundaries between documentary, sound art and music.

Produced by Suvi Tuuli Kataja ja Jussi Liukkonen
Voice messages: Milla Puolakanaho


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Archive, Radio, Sound Art Lucia Scazzocchio Archive, Radio, Sound Art Lucia Scazzocchio

XMTR Radio Hour #44: Strangers On A Train

Social Broadcasts (UK 2026)

Produced by Social Broadcasts (UK 2026)

XMTR Radio Hour #44 Strangers on a Train
Social Broadcasts

60 min / Episode 44 of 44

This XMTR Radio is a tribute to train travel and the pleasure of sharing a journey with strangers or those shared moments on the platform. Here’s a reminder of what taking the time to travel cross country, absorbing the scenery and sharing anecdotes with strangers sounds like. These are two tributes to train life from Social Broadcasts. The first is Trainline, where London based food entrepreneur Petra Barran is travelling in the US, southbound for 36 hours from New Orleans to Tucson Arizona on Amtrak’s Sunset Limited. She gets out of head, ignores her growling stomach and goes on a mission to make new encounters. The second audio work Kings Cross Connections, takes us back in London where we experience some moments of serendipity and coincidence at Kings Cross station as passengers wait for their tannoy announcement to travel north. 

Listen to Lowlines

Listen to the rest of Kings Cross Connections

XMTR Radio Hour Produced by Lucia Scazzocchio

Follow the series


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Storyelling, Fiction, Sound Art Lucia Scazzocchio Storyelling, Fiction, Sound Art Lucia Scazzocchio

Many Moons Ago

Bárbara Fonseca (PT 2026)

Bárbara Fonseca (PT 2026)

4 mins

Many Moons Ago is an audio piece that reflects on oral storytelling traditions using a family weredonkey story as a starting point. The story, told many times, was transformed along the way, shapeshifting according to each narrator’s will.

In this piece, the artist weaves the voices of her family members with her own, materialising it into an intergenerational narrative. A new collaborative version of the story, containing pieces of each narrators perspective, is created. Not in order to be a definitive version, but to inspire and evoque the fluidity and magic of oral storytelling.

Produced and Recorded by Bárbara Fonseca
Mastered by Wawrzyniec Wróblewski


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Oral History, History, Community Lucia Scazzocchio Oral History, History, Community Lucia Scazzocchio

Vi's Marvellous Rhymes

Catherina Rowland for BBS Community Radio (UK, 2025)

Catherina Rowland (UK 2025)

105 min

Violet Charlton was a 95 year old poet, or as she preferred to call herself, a "rhymester". This programme is a collection of her rhymes as read by Vi herself. Some are funny, some are sad but all of them are very entertaining. Also included is a short story and an interview about her life in Dagenham and her rhymes.

Produced by Catherina Rowland for BBS Community Radio


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Fiction, Audio Drama, Podcast Lucia Scazzocchio Fiction, Audio Drama, Podcast Lucia Scazzocchio

Tales From the Endarkenment

Ted Barrow (UK 2026)

Ted Barrow (UK 2026)

Tales From the Endarkenment
Ted Barrow

8 mins

A podcast exploring adapting to life change using biography, drama, interviews and storytelling. What happens when change removes the purpose of your life? Is there life after work? Originally aimed at men and retirement the subject is expanding to include everyone facing changes in the infrastructure of their lives by choice or otherwise

Produced by Ted Barrow
Voice talents of Claudine Eccleston, Lorna Hamilton Brown, Shreyans Iyer, SGH, Paul Freeman and an interview extract from MsM

Listen to the series


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Composition, Sound Art, Documentary Lucia Scazzocchio Composition, Sound Art, Documentary Lucia Scazzocchio

The Gold Line 2026

Dinahbird (FR 2026)

Dinahbird (FR, 2026)

The Gold Line
Dinahbird

27 min

High-frequency trading uses complex algorithms to scan multiple markets and execute orders in microseconds, demanding the fastest, most direct links between exchanges. In 2012 traders began using microwave radio networks, relayed by antennas on tall, often unnoticed structures, to send data between the New York Stock Exchange’s data centre in Mahwah, New Jersey, and the Chicago Mercantile Exchange in Aurora, West Chicago, in about 4.01 milliseconds along a route insiders call the Gold Line.

Sound artists Dinah Bird and Jean-Philipe Renoult, fascinated by these antennas and the paths they forge, have been documenting the physical routes the money makes since 2016.

In 2018 they made a ‘slow’ high frequency road trip along the Gold Line that took 6 weeks. Following towers in the Allegheny mountains of rural Pennsylvania, past Amish homesteads, through the flat plains of Ohio and past the immaculately mowed lawns of Indiana, they made extensive location recordings, both next to the antennas and by tuning into their frequencies over the airwaves.

This is an invitation to the listener to reimagine the movement of money. What exactly does this sound like? We hear the static pops and dissonant hums of radio signals intercut with the wind blowing in the antenna wires and the whirring of huge ventilation systems as we drive along Interstate 80. The road trip is punctuated by interventions from experts such as sociologist Donald Mackenzie who tells us how HFT works and just who takes part in these 'speed races'. 

With contributions from : Donald Mackenzie, Alex Pilosov, Night Owl and Stéphane Tyc.

All recordings and music byBird & Renoult
Produced by Dinah Bird and Jean-Philippe Renoult
A Social Broadcast  for BBC Radio 3’s Between The Ears


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Documentary, Memoir, Multi-lingual Lucia Scazzocchio Documentary, Memoir, Multi-lingual Lucia Scazzocchio

Unland

Alina Talipova (BE, 2025)

Alina Talipova (BE, 2025)

38 min

Unland (original title: Onland) is an audio documentary about four young people
navigating the fragile ground between origin and future. Each of them balances
between memory and desire, between a pasts with dark shadows and a future that
remains uncertain. Set in a metaphorical swamp, their voices reveal what it means
to grow up between cultures, carrying histories larger than themselves. Through
field recordings, multilingual voices, silences, and soundscapes, the work explores
identity, migration, and belonging without offering simple answers. Instead, it invites
the listener into an unstable but fertile space where contradictions and connections
coexist.
The characters — Anna (Russian-Georgian, navigating diaspora life), Ignace
(Azerbeidzjani, adopted in Belgium and reconstructing his identity), and Amina
(Ossetian, moving from Russia and Turkey to Brussels) — reflect different but
connected experiences of displacement and belonging but also shaping an identity
faced with controversy. Their multilingual voices (English, Dutch, Russian) overlap
and intertwine, underscoring the impossibility of one clear narrative or translation.
The structure of Unland follows the rhythm of a day, from morning to night and back
to morning. This cyclical movement reflects how migration stories do not always
lead to resolution or progress but move in circles, pauses, and restarts. Rather than
delivering a political statement, Unland creates a sensory and emotional space
where listeners are invited to experience cultural in-betweenness. It is an exploration
of what remains unsaid in migration stories, and a way to listen to the tensions,
silences, and echoes that shape identities across generations.
Unland does not offer political slogans or simple narratives
but creates an auditory landscape of tension, dissonance, and recognition.


Produced by:‍ ‍Alina Talipova
Supported by Katharina Smets
Music Toon van Beek


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Documentary, Poetry, Memoir Lucia Scazzocchio Documentary, Poetry, Memoir Lucia Scazzocchio

1001 Stabs

Lina Prestwood (UK, 2025)

Lina Prestwood (UK 2025)

1001 Stabs
Lina Prestwood

8 min

To be born in Gaza is to be born already bleeding.
Before you take your first step, a blade is pressed gently, precisely, against your soul, the first of 1001 stabs

Fadi Almeghari was killed on Tuesday 26th May 2026 by Israeli forces. He was 25, the main breadwinner of his community and the primary carer for several children orphaned by IOF attacks. His writing and photography were internationally celebrated for their emotionally nuanced and evocative portrayal of life under occupation and more recently, genocide. His work can be seen on his Instagram page @fadimghari and his dependents can be supported at gofund.me

Produced by Lina Prestwood
Written in August 2025 by
F. (Gaza) 
Read by
F. and Lyana Mansour (USA)
With thanks to 
Fatima Zahra Gahzli (Turkey)


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