Transmissions
The Limbotopia Workshop presents... The Widow
Pete Hazell (UK 2026)
Pete Hazell (UK 2026)
3mins
This was made as a promotional micro-drama for the album "Walk With The Militia" by Damos Room (Limbo Tapes 2026).
Inspired by the artist's world-building lore about a Horse Militia, and the title of the last track "Widows" I made this for their show on Radio Al Hara in celebration of the release.
It features the cloned voices of David McCallum, Georgia Ellis, William Conrad and Dick Bentley. In the debate about voice cloning technologies, I offer this in memory and admiration of those actors no longer with us, and the era of audio that they starred in.
Produced by Pete Hazell
Slaughterhouse Road: Act 1
Jess Hamilton (AU 2025)
Jess Hamilton (AU 2025)
20 min
Slaughterhouse Road is a short and sweet, 3-part tragic alt-country australiana romantic horror musical podcast set in a jaded small town on the East Coast of Australia. If you like open mic night at your local pub, fresh hot snags and sweet young country romance, you might just like this little tale. Featuring original music from Tennessee Ham.
Written/Produced/Sound designed by Jess Hamilton.
Original music by Tennessee Ham
Kreuzkölln
Samuel Robinson (UK 2026)
Samuel Robinson (UK 2026)
19mins
Kreuzkölln is a three-part audio drama following a personal and professional entanglement among three people over the course of a year.
Each part moves forward in time and shifts its narrative perspective: first told in the third person, then in the first, and finally in the second person, where the voice turns back on itself. As relationships overlap and shift, people find themselves closer to some, and further from others.
Rather than offering a single account of what happened, the piece presents different interpretations of the same events, shaped by position, responsibility, and emotional exposure. What feels reasonable or careful to one person is experienced as withholding, hurtful, or unfair by another.
Kreuzkölln is not concerned with who is right or wrong, but with how people make sense of situations from within them, and how personal relationships are affected when power, work, and intimacy become difficult to separate.
Written, produced, and edited by Samuel Robinson.
Music composed by Daniel Wilson.
The Narrator is voiced by Samuel Robinson. Franzi is voiced by Allie Cheroutes. Tom is voiced by Brian Stack. Simeon is voiced by Daniel Wilson. Sarah is voiced by Megan Kieldsen.
17 min
Kreuzkölln is a three-part audio drama following a personal and professional entanglement among three people over the course of a year.
Each part moves forward in time and shifts its narrative perspective: first told in the third person, then in the first, and finally in the second person, where the voice turns back on itself. As relationships overlap and shift, people find themselves closer to some, and further from others.
Rather than offering a single account of what happened, the piece presents different interpretations of the same events, shaped by position, responsibility, and emotional exposure. What feels reasonable or careful to one person is experienced as withholding, hurtful, or unfair by another.
Kreuzkölln is not concerned with who is right or wrong, but with how people make sense of situations from within them, and how personal relationships are affected when power, work, and intimacy become difficult to separate.
Written, produced, and edited by Samuel Robinson.
Music composed by Daniel Wilson.
The Narrator is voiced by Samuel Robinson. Franzi is voiced by Allie Cheroutes. Tom is voiced by Brian Stack. Simeon is voiced by Daniel Wilson. Sarah is voiced by Megan Kieldsen.
Glittering Prospects
Anna Bertmark (UK, 2025)
Anna Bertmark (UK, 2025)
20 min
Set on Brighton Beach in 2098, an local metal detectorist records search-reports for the Council's new Portable Foundle Department; a new requirement since mysterious artefacts have started appearing on the beach...
Glittering Prospects is an immersive audio drama exploring humans' relationships with changing coastal environments through treasure hunting and local folklore. This 20 minute peice weaves together Brighton Beach’s hidden histories, environmental mysteries, and the stories of those who search its shores. Inspired by cinematic interview techniques, found audio recordings, and through interviews with metal detectorists, wildlife and folklore experts, the piece presents a compelling fictional documentary drawing from the world of treasure hunting and local coastal history and superstitions. Through the power of place-based storytelling, this immersive listening experience explores how lost artefacts buried beneath our feet reveal meaningful stories.
Written and Produced by Anna Bertmark
Performed by Rachel Capell
Funded by the National Lottery.
XMTR Festival: Tom’s House
Jacob Dwyer (UK/NL 2025)
Jacob Dwyer (UK/NL 2025)
51 min
Tom’s House is a one person performed audio-drama. It incorporates voice, live foley, field recordings and an original soundtrack composed by K.Freund, Kareem Lotfy, Jacob Oostra and Zuza Banasińska.
In Tom’s House, we listen to the diaristic meanderings of someone who’s returned to the UK for the first time in 15 years. Walking up Haddon Drive he spots the house of an old friend, Tom. The front door is open, so he goes inside. Wandering around the empty Tudor cottage –making cups of tea, rearranging CD collections and zoning in on the minutiae of domestic space– he ruminates on ideas of emotional intimacy, friendship and grief.
Jacob Dwyer is an artist based in Amsterdam working with audio, moving-images and writing. His work often centres around personal encounters that could equally be seen as fables or heresy. He has presented in art spaces and music venues, including Cafe Oto (London), David Dale Gallery (Glasgow), Good Children (New Orleans) and De Appel (Amsterdam). In 2022 he released The Devil Museum on vinyl with Mana Records and has since published Notes on Devils with Building Fictions. Most recently he has released his new audio drama, Tom's House, on South of North.
Written, recorded and produced by Jacob Dwyer
Witch, Please!
Yasmine Alice (UK 2025)
Yasmine Alice (UK 2025)
7 min
Marnie, a mediocre witch with anger issues, faces judgement from her family members and town folks for turning 30 years old and still being unwed. Thereupon, she agrees to go on numerous dates, all of which fail miserably.
This 4-part episodic audio comedy series brings voice actors from all around the world together.
Follow The Series
Directed/Written by Yasmine Alice
Sound Design by Cam Evans, Original
Music by Simone Micieli
Produced by Bastet Productions
The Man At The Top Of The Stairs
Hugo Pierre Martin (US 2025)
Hugo Pierre Martin (US 2025)
41 min
The Diaries of Netovicius the Vampire is a fantasy audio series. It’s an investigation of trauma. What is time to an immortal vampire? What is trauma? How does trauma shape someone so isolated and misunderstood, and how does it shape all of us? How do we recover, and who do we need in our lives to do so?
This is the final episode of the 5th season
Follow The Series
Produced, written and performed by Hugo Pierre Martin
The Negro of The Abyss
Maleek Dapaah (UK 2024)
Maleek Dapaah (UK 2024)
16 min
Set in the heart of Victorian London, The Negro of the Abyss reimagines the infamous Jack the Ripper murders from the perspective of Jane Doe, a forgotten black woman whose story unveils the harrowing truths of racial and social injustice.
Written/Directed by Nifty Noel.
Produced by Maleek Dapaah
Application Declined
Alice Foxall (UK 2024)
Alice Foxall (UK 2024)
7 min
A dystopian fiction focusing on themes of race and the benefits system. Sara and Claire meet up over coffee (well, a turmeric-matcha latte) and finally have a decent catch up. But niceties turn sour and lattes grow cold as the government’s new rules on child applications create rifts between old friends.
Written, Produced by Alice Foxall
Actors: Verity De Cala, Ese Osamede
Mixed by Transmission Roundhouse