Transmissions

Composition, Sound Art, Conceptual Lucia Scazzocchio Composition, Sound Art, Conceptual Lucia Scazzocchio

39 Alpha, 39 Bravo - The Sound Of Detention’s Economies

Earrational Measures  (IT 2025)

Earrational Measures  (IT 2025)

10 min

9 Alpha, 39 Bravo tells the story of profit and exploitation within a specific immigration removal centre throughout 1 day, through data sonification.

It is an uncanny journey through the 24 hours of Campsfield House Immigration Removal Centre (near Oxford, UK) in 2016, from the perspective of Pilo Moreno, the co-producer of this track and expert by experience. Pilo guides the listeners through a whole day in Campsfield House, retracing a generic day, a recurring and repeating sequence throughout the 5 months he spent there.

In the background, and as part of the track’s rhythmical backbone, you will hear how much three different characters earned in one day back in 2016: the director of the private corporation managing the removal Centre, the custody officer working in the facility, and a detainee who is employed by the centre for menial duties. All the sounds associated with the incomes of these three social actors were chosen by Pilo.

Through the juxtaposition of data-sonification, haunting sounds and first account narration, the listeners delve into the brutal economies of detention - characterised by extreme exploitation built on processes of dehumanisation which are woven into the daily practices and restrictions of UK Immigration Removal Centres.

The title - "39 Alpha, 39 Bravo"- is an explicit reference to the numbers of the bed Pilo and his cell mate were called by during their time in detention.

Produced by Anna De Mutiis
Music by Pilo Moreno,, Arturo Moreno and Anna De Mutiis:


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Field Recording, Composition Lucia Scazzocchio Field Recording, Composition Lucia Scazzocchio

2025 Selects: Coastal Soundforms : Tymbals and Golden Gallopers, Beach

Andrius Mack (LT 2025)

Andrius Mack (LT 2025)

5 min

Coastal Soundforms is a field recording composition made entirely from acoustic coastal field recordings captured over several years. It features soundscapes from the UK (Dungeness, Camber Sands, Brighton, Bournemouth), Lithuania (Neringa, Palanga), Netherlands (Texel), Portugal (Lisbon, Cascais), Morocco (Taghazout, Mirleft) and Italy (Venice). Sometimes the recordings are presented as faithful sonic representations, sometimes they are heavily manipulated with filters in order to highlight certain features present in the soundscapes. It is an exploration of the contrast between biophonic soundscapes and urban anthrophonies. All set against the backdrop of a relentless, thunderous oceanic geophony.

Listen to the series

Produced, recorded, mixed and mastered by Andrius Mack


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Composition, Sound Art, Memoir Lucia Scazzocchio Composition, Sound Art, Memoir Lucia Scazzocchio

2025 Selects: I Dream Of Water: The Well, The Bay, The Sea

Susanne Lambert (UK 2025)

Susanne Lambert (UK 2025)

7 min

This is part of a body of work is about people's relationships with water, based around a set of audio recordings from various people Suzanne knows. She asked contributors to share something about a place of water they have strong memories of, or connections to, and to say something about what feelings are evoked in the place.

Susanne set the audio messages within new compositions (including found sounds and field recordings) in different ways to create a series of pieces. She has combined improvised open passages (drums/clarinet/piano/synth) with more considered and formulated sections, in an attempt to echo, mirror and juxtapose the words, and build imagery around the stories shared.

The series will eventually also include factual information, alongside the personal connective elements, as an opportunity to examine the diverse and sometimes contradictory elements of our human relationship to water.

Produced by Susanne Lambert aka Suzi Lamb

Listen to the collection


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Composition, Montage, Memoir Lucia Scazzocchio Composition, Montage, Memoir Lucia Scazzocchio

Seven Minutes, Seven Years

Anna Van Dine (US 2024)

Anna Van Dine (US 2024)

7 min

As long as Anna has been interested in sound and documentary, she has recorded things. What does it sound like when you take seven years' worth of recording and condense it into seven minutes? What does time sound like? What does memory sound like?

Produced by Anna Van Dine


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Composition, Sound Art, Montage Lucia Scazzocchio Composition, Sound Art, Montage Lucia Scazzocchio

Kumbha Mela 2025 and Planets Aligned

Bhavisha Patel (UK, 2025)

Bhavisha Patel (UK 2025)

10 min

Kumbha Mela 2025, a spiritual festival observed in India, was the world's largest gathering, it also coincided with the planetary alignment. This is a soundscape, featuring recordings from pilgrims and NASA recordings of the planets.

Produced by Bhavisha Patel 


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Composition, Sound Art, Montage Lucia Scazzocchio Composition, Sound Art, Montage Lucia Scazzocchio

XMTR Festival: Habitual Rituals

Lucinda Guy and Alice Armstrong (UK, 2025)

Stellaria Media (UK 2025)

10 min

A composition made from the sounds recorded by participants of The Habitual Rituals Workshop at XMTR Festival, paying attention to habits and routines of how we open doors, walk across a room, use kitchen implements, pour water and other everyday moments. Participants recorded themselves repeating familiar actions, along with descriptions of what they were doing to create a a generative, multi-speaker sound installation that allows rhythms of existence to emerge and interact.

Stellaria Media are based in South Devon and within two community radio stations, Soundart Radio (Totnes) and Skylark (Dartmoor). Our background as artists means we are always exploring, listening, responding and creating together with communities

Produced by Lucinda Guy and Alice Armstrong




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Composition, Sound Art, Radio Art Lucia Scazzocchio Composition, Sound Art, Radio Art Lucia Scazzocchio

XMTR Festival Selects: Radio Incantation - Dzëë

Amanda Gutiérrez (CA / MX 2025)

Amanda Gutiérrez (CA / MX 2025)

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8 min

Rooted in the artist’s Zapotec heritage from the Valley of Oaxaca, Mexico, the work channels ancestral teachings on listening and evoking through the art of terrestrial transmission. In this sonic ritual, radio waves become vessels for connection with unseen and intangible presences, intentionally engaging with the territory of St Leonards-on-Sea — across time, between past and future spectra.

Produced by Amanda Gutiérrez


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