Transmissions

Composition, Sound Art, Conceptual Lucia Scazzocchio Composition, Sound Art, Conceptual Lucia Scazzocchio

Portland Dreams

Susanne Lambert (DE, 2025)

Susanne Lambert (DE, 2025)

Portland Dreams
Susanne Lambert

4 min

Suzi Lamb first visited Portland in the early 2000’s, as part of a DIY west coast tour with a band from her, (at the time) home of Brighton UK.

When she saw the option to work with a piece of Portland audio for this latest Cities and Memory project, something resonated, connecting me to the idea of distance between then and now in my own life, and that of her bandmates. That sense of how things move forward, inevitably, but that an aspect can also remain, that can be conjured up, and reconnected with, like a talisman or a map.

Sonically, she was drawn to create a piece consisting of several distinct movements, utilising a broad range of sounds, and a narrative that draws in the listener. She welcomed in happenstance, and several aspects came about by what my former A’level art teacher would refer to as ‘a happy accident’, including some of the vocal work between Suzi and collaborator Nicky Rushton - these were nice surprises, and Ishe kept them in the final piece.

Elsewhere, she used small sections of the original recording, sometimes rhythmically, others atmospherically, and at others to inform melodic phrasing.

She called the work ‘Portland dreams’ in reference to the original audio, and in the way that a dream is a kind of memory, but can also be a vision for the future. Portland, or rather, the symbolism of Portland, can still be that place full of possibilities and freedoms she experienced for the first time back then, despite all the many changes in the world and herself since.

Produced and composed by Suzi Lamb
Main voice and voice recording Nicky Rushon.


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Interview, Audio Drama, Fiction Lucia Scazzocchio Interview, Audio Drama, Fiction Lucia Scazzocchio

XMTR Radio Hour #42: Tom’s House With Jacob Dwyer

Social Broadcasts (UK 2026)

Produced by Social Broadcasts (UK 2026)

XMTR Radio Hour #42 Tom's House with Jacob Dwyer
Social Broadcasts

67 min / Episode 42 of 42

This XMTR Radio Hour features Tom’s House an audio drama created by British born - Amsterdam based artist Jacob Dwyer. After a short interview with Jacob, we enter Tom’s House with the meanderings of someone who’s returned home for the first time in 15 years. Walking up Haddon Drive he spots the house of an old friend, Tom. The front door is open, so he goes inside. Wandering around the empty Tudor cottage - making cups of tea, rearranging CD collections and zoning in on the minutiae of domestic space - he ruminates on ideas of emotional intimacy, friendship and grief.

XMTR Radio Hour Produced by Lucia Scazzocchio

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Fiction, Audio Drama, Plunderphonics Lucia Scazzocchio Fiction, Audio Drama, Plunderphonics Lucia Scazzocchio

The Limbotopia Workshop presents... The Widow

Pete Hazell (UK 2026)

Pete Hazell (UK 2026)

The Limbotopia Workshop presents... The Widow
Pete Hazell

3mins

This was made as a promotional micro-drama for the album "Walk With The Militia" by Damos Room (Limbo Tapes 2026).

Inspired by the artist's world-building lore about a Horse Militia, and the title of the last track "Widows" I made this for their show on Radio Al Hara in celebration of the release.

It features the cloned voices of David McCallum, Georgia Ellis, William Conrad and Dick Bentley. In the debate about voice cloning technologies, I offer this in memory and admiration of those actors no longer with us, and the era of audio that they starred in.

Produced by Pete Hazell


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Composition, Sound Art, Plunderphonics Lucia Scazzocchio Composition, Sound Art, Plunderphonics Lucia Scazzocchio

Five and Twenty to Eleven

Pete Hazell (UK 2026)

Pete Hazell (UK 2026)

Five and Twenty to Eleven
Pete Hazell

3 min

Inspired by a serendipitous late night listen, this was made for a recent In The Dark event in Bristol. The event was subtitled: The Sleepwalker's Guide To The City, featuring audio work by Dinah Mullen and Michelle MacMahon.

Late one night on the run up to the event, Pete stumbled across a BBC production of "Rope"By Patrick Hamilton, in which Rupert Cadell (played by Alan Rickman) delivers a melancholy monologue that focuses on the city at night.

It was just the kind of thing he was looking for and this resulting piece opened the second half of the event, held at The Wardrobe Theatre.

Produced by Pete Hazell.
Music by Dive Reflex Service


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Fiction, Audio Drama, Musical Lucia Scazzocchio Fiction, Audio Drama, Musical Lucia Scazzocchio

Slaughterhouse Road: Act 1

Jess Hamilton (AU 2025)

Jess Hamilton (AU 2025)

Slaughterhouse Road: Act 1
Jess Hamilton

20 min

Slaughterhouse Road is a short and sweet, 3-part tragic alt-country australiana romantic horror musical podcast set in a jaded small town on the East Coast of Australia. If you like open mic night at your local pub, fresh hot snags and sweet young country romance, you might just like this little tale. Featuring original music from Tennessee Ham.

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Written/Produced/Sound designed by Jess Hamilton.
Original music by Tennessee Ham


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Oral History, History, Community Lucia Scazzocchio Oral History, History, Community Lucia Scazzocchio

Muine Bheag -- Bagenalstown

Jack O'Driscoll & Mark Buckeridge (IRE 2025)

Jack O'Driscoll & Mark Buckeridge (IRE 2025)

Muine Bheag -- Bagenalstown
Jack O'Driscoll & Mark Buckeridge - Muine Bheag Arts Radio

28 min

This episode of Muine Bheag Arts Radio delves into the name of our town -- Muine Bheag/Bagenalstown -- through archival recordings and on-the-street interviews, in order to understand its complex and unique history. We meet with local historian John Murphy, students from two of the local primary schools and members of the community to understand their perspectives on the town’s dual name.

Muine Bheag Arts is an artist-run organisation based in a small town in County Carlow that engages with the local context to present projects in the public realm. Guided by values of collaboration and experimentation, Muine Bheag Arts invites dialogue between artists, audiences, community and place.

The programme includes exhibitions, workshops, events, residencies, publishing and radio broadcasts. These platforms provide opportunities for artists to research, test and make through close collaboration with the organisation and members of the local community.

Produced by Jack O'Driscoll & Mark Buckeridge
Edited by Jack O'Driscoll


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Fiction, Short, Audio Drama Lucia Scazzocchio Fiction, Short, Audio Drama Lucia Scazzocchio

Kreuzkölln

Samuel Robinson (UK 2026)

Samuel Robinson (UK 2026)

Kreuzkölln
Samuel Robinson

19mins

Kreuzkölln is a three-part audio drama following a personal and professional entanglement among three people over the course of a year.

Each part moves forward in time and shifts its narrative perspective: first told in the third person, then in the first, and finally in the second person, where the voice turns back on itself. As relationships overlap and shift, people find themselves closer to some, and further from others.

Rather than offering a single account of what happened, the piece presents different interpretations of the same events, shaped by position, responsibility, and emotional exposure. What feels reasonable or careful to one person is experienced as withholding, hurtful, or unfair by another.

Kreuzkölln is not concerned with who is right or wrong, but with how people make sense of situations from within them, and how personal relationships are affected when power, work, and intimacy become difficult to separate.

Written, produced, and edited by Samuel Robinson.
Music composed by Daniel Wilson.
 

The Narrator is voiced by Samuel Robinson. Franzi is voiced by Allie Cheroutes. Tom is voiced by Brian Stack. Simeon is voiced by Daniel Wilson. Sarah is voiced by Megan Kieldsen.

17 min

Kreuzkölln is a three-part audio drama following a personal and professional entanglement among three people over the course of a year.

Each part moves forward in time and shifts its narrative perspective: first told in the third person, then in the first, and finally in the second person, where the voice turns back on itself. As relationships overlap and shift, people find themselves closer to some, and further from others.

Rather than offering a single account of what happened, the piece presents different interpretations of the same events, shaped by position, responsibility, and emotional exposure. What feels reasonable or careful to one person is experienced as withholding, hurtful, or unfair by another.

Kreuzkölln is not concerned with who is right or wrong, but with how people make sense of situations from within them, and how personal relationships are affected when power, work, and intimacy become difficult to separate.

Written, produced, and edited by Samuel Robinson.
Music composed by Daniel Wilson.
 

The Narrator is voiced by Samuel Robinson. Franzi is voiced by Allie Cheroutes. Tom is voiced by Brian Stack. Simeon is voiced by Daniel Wilson. Sarah is voiced by Megan Kieldsen.


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Composition, Oral History, Interview Lucia Scazzocchio Composition, Oral History, Interview Lucia Scazzocchio

XMTR Radio Hour #41: Sounding Colossus

Social Broadcasts (UK 2026)

Produced by Social Broadcasts (UK 2026)

XMTR Radio Hour #41: Sounding Colossus
Social Broadcasts

67 min / Episode 41 of 41

This XMTR Radio Hour is a little different. Lucia speaks to Garry Hunter  the director of arts and heritage organisation Fitzrovia Noir - and composer/violinist Jack Campbell about a new commission from the educational foundation that has grown out of the Tommy Flowers community pub in Poplar, East London. The pub’s namesake Tommy Flowers designed and built Colossus, the world’s first programmable electronic computer, to help decipher the encrypted messages sent by the German High Command during WW2. 23-year-old composer and musician Jack M.Campbell has recently written and extensively performed a piece inspired by Alan Turing’s Bombe. With a bursary from TFF, he has now composed a score responding to Colossus, the computer built by Tommy Flowers to greatly expedite the reading of Lorenz traffic. The code was cracked by mathematician Bill Tutte, who, after the war, went on to teach at two universities in Canada, Jack’s home country. Following the conversation about outsiders, music, algorithms and maths, is an exclusive rendition of this composition: ‘Colossus’ by Jack Campbell. 

XMTR Radio Hour Produced by Lucia Scazzocchio

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Oral History, Mental Health, Personal Story Lucia Scazzocchio Oral History, Mental Health, Personal Story Lucia Scazzocchio

Living Histories - 'Believed and Understood'

Charlotte Petts & Micheal Umney (UK 2026)

Charlotte Petts & Micheal Umney (UK 2026)

Living Histories - 'Believed and Understood'
Charlotte Petts & Micheal Umney

26 min

Living Histories shares the unheard oral histories of people who have used or worked in NHS mental health services in Sussex from the closure of the asylums in the 1980's, up to and including the Covid-19 pandemic. Through a series of podcasts, created using clips from these oral histories, we explored the common themes threaded through these real-life stories.

This episode - For people with mental health problems, the right diagnosis and treatment can be transformative, making sense of life and its challenges and building hope for the future. Believed and Understood explores the power diagnosis can hold and the impact it has on recovery.

Produced by Charlotte Petts and Michael Umney.

Project by Heads On Charity supported by The National Lottery Heritage Fund, NHS Charities Together and Sussex Partnership NHS Foundation Trust.


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Memoir, Personal Story, Documentary Lucia Scazzocchio Memoir, Personal Story, Documentary Lucia Scazzocchio

Riley In The Closet

Hannah Frances Johansson (US 2025)

Hannah Johansson (US 2026)

Riley in the Closet
Hannah Johansson

11 min

This is a story about the time Hannah’s friend Riley, who is trans, lived in their closet for two weeks. Outside, it was 70 degrees and sunny, a true California endless summer. But in the closet, it was fall. They played jazz, sipped tea, and left only at night to eat a loaf of bread. Listen like you are in the closet with Riley, as they describe their fall-themed teenage breakdown, inspired by Donna Tartt’s The Secret History. Sometimes, identity can only be formed in isolation.

Produced by Hannah Frances Johansson


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