Transmissions
I Am Better Than I Was
Myriam Pruvot (BE 2018)
Myriam Pruvot (BE 2018)
14 min
Music and spoken word in fragments with texts taken from Mohamed Ali's speech before his fight with George Foreman in 1974 mixed with extracts from the diary of a young woman.
Produced by Myriam Pruvot
Night Walking - A Call from Terry
Bianca Giaever ( 2023)
Bianca Giaever (US 2023)
29 min Episode 1 of 4
Constellation Prize, the podcast from The Believer magazine, talks to subjects about their existential problems—how art, God, and loneliness fit in their lives. Nightwalking, is a four-part mini series featuring the poet Terry Tempest Williams.
Bianca receives a call from a famous writer, Terry Tempest Williams, who suggests they do a project together. They plan to embark on a ritual—taking walks at night, and writing each other daily letters. Terry promises that this will bring them closer to God. Bianca has doubts.
Hosted and produced by Bianca Giaever
Radio Armed Response
Claudia Wegener (ZA 2007)
Produced by Claudia Wegener (ZA 2007)
60 min
South Africa based artist Claudia Wegener from Radio Continental Drift walks the streets of two suburban communities in Johannesburg S.A. In door to door interviews, at times through intercom systems and across gates, she asks questions related to public safety and a privatised security system. The result is a radio artwork mixed from what the artist likes to call dramatic field recordings. In surprisingly intimate, often humorous conversations, narratives of a complex urban patchwork of communities unfold before your ‘very eyes’. Yet what unravels, far beyond ‘issues of security’, social and urban divisions are shared concerns, questions, stories and visions about living together.
Producer: Claudia Wegener
The original half hour audio piece from 2005 is reframed in recent footage for London’s art radio station Resonance104.4fm
Recommended by Paris based sound artist Dinahbird
I Sit in the Shade
Joe Wilkinson (UK 2023)
Joe Wilkinson (UK 2023)
11 min
'I sit in the shade' is an exploration of our perception of time, discovering what we can learn if we spend more time in the presence of trees. It draws from personal accounts, interviews and narration, and uses sound and music to form an immersive, personal meditation around these topics.
Narrated and Produced by Joe Wilkinson
Running the Goat
Chris Brookes (CA 2005)
Chris Brookes (CA 2005)
25 min
On July 2, 1992 the once-gigantic Newfoundland cod fishery was shut down. Twelve years later, 70,000 people had left, and coastal communities were struggling to survive. The blow to the culture was as dramatic as the economic effect, but how do you measure cultural change? Perhaps with a centuries-old Nfld “set dance”.
Celebrating the life and works of the late Chis Brookes.
Produced by Chris Brookes - Battery Radio
First broadcast by Radio Netherlands April 24, 2005
AWARDS: Third Coast Festival 2005. Grand Prix Marulic 2006
Eggblood
Mouth In Foot (UK 2020)
Mouth In Foot (UK 2020)
39 min
Teetering on a tripwire between the Priest and the Para-Medicinal Urinal, this work of recorded material plundered between 2018/20, composed September(21) during a locked in covid syndrome. Incorporating inter personal archive spanning 25 years of ripped and clipped sounds, real-time recordings, covert mobile conversations and live synth.
This audio work focuses on memory, nostalgia, psychosis, faith and satire, pushing and pulling the process of sampling, collage, cutup techniques and repetition into shattered fragments from some knackered audio pen-womb-man-ship shape shift...
Originally broadcast on Radiophrenia 2020
Produced by Mouth In Foot
The Juggler
Bridey Addison-Child (UK 2023)
Bridey Addison-Child (UK 2023)
16 min
A sonic meditation on juggling. There is of course the physical act of throwing balls (and not stones) in the air but of course juggling contains so many other metaphores for how we manage different aspects of our lives.
This piece was originally performed live onstage as part of an event for In The Dark
This piece was originally performed live onstage as part of an event for In The Dark founded by Nina Garthwaite, and run by Talia Augustidus.
Featuring Lucy "Juggles" Eden
Sound designed by Bridey Addison-Child
Violin by Alexander Tay
CoMute 6
Phaune Radio (FR 2023)
Phaune Radio (FR 2023)
18 min
Daydreams are easier than it steams between two stops, letting ideas grow between the lines, keeping track.
Glide happily from station derailing time and then getting back on track.
From platform to platform, we glide through these daydreams following a thread thanks to a cat helping to choose the right path. Have you forgotten anything?
Listening with headphones recommended • Binaural recordings
Produced by Phaune Radio
Featuring: Gaston Bachelard.
Follow the series
What's Rangoon To You Is Grafton To Me
Russel Guy (AUS 1978)
Russell Guy (AUS 1978)
45 min
What's Rangoon to you is Grafton to me, a psychedelic road journey from Brisbane to Sydney written by Russell Guy and featuring the voices of James Dibble and Russell Guy. The story is a quintessentially Australian gonzo rant, tracing the narrator's twisted journey down the East coast of Australia. He was the perfect hitch-hiker: entertaining but mute in all the right places.
Back in the 1970s, ABC veered off the beaten path with a new experiment: Double J—a youth-oriented radio channel operating on a derelict AM transmitter in a bomb shelter. One of the channel's more live-wire DJs was a surfer-poet called Russell Guy. His crazed, ad-lib breakfast shows broke all the rules of broadcasting. In 1978, Guy decided to see if he could turn a short story about a summer hitch-hiking adventure from Brisbane to Sydney into a radio play. What's Rangoon to You is Grafton to Me ultimately went on to become a cult classic.
Written by Russell Guy
Narrated by James Dibble
Produced by Graham Wyatt
Wochende (Weekend)
Walter Ruttmann (DE 1930)
Walter Ruttmann (DE 1930)
11 min
Wochende was presented in theaters as a sound-only experience. No images were projected on the screen. The 11 minute of music fragments and sounds represent a weekend in Berlin, including Saturday afternoon at a factory, a night in the city, a pastoral Sunday, and the city returning to work on Monday. The effect was a sonification of the visuals one would expect from a film, but a film without images.
Wochende, as a sound narrative, was also broadcast on radio and so is sometimes referred to as a radio play. In that context Wochende may be the first significant recorded experiment with montage for radio
Producer: Walter Ruttmann